A Writer’s Rule Book
From Hunter’s Writing
I like this.
A Writer’s Rule Book
From Hunter’s Writing
I like this.
We are often asked if characters should describe themselves at Writers Write. We are asked how they could describe themselves. When we came across this post by Stephanie Orges, we wanted to share some of her ideas with you. (If you want to read the full article, follow the link at the end)
Six Ways First Person Narrators Can Describe Themselves
By Stephanie Orges
1. Don’t describe him at all
Do your readers have to know what the protagonist looks like to understand the plot? If not, consider leaving it out altogether.2. Give it to your reader straight
If you are actually telling the story with frequent quirky asides to your “dear reader”, your hero can simply describe himself during introductions. But be warned: don’t try to force it if this isn’t your style.3. Embarrass them
Make them self-conscious about a physical flaw. She only smiles close-mouthed because she’s embarrassed by the gap in her teeth. He wishes he had biceps like the head jock.4. Compare and contrast with another character
‘My daughter has my crooked smile, but her father’s blue eyes’. These can even create a poetic effect, as you can simultaneously compare and contrast personality traits as well.5. Use dialogue
Her best friend gently explains dark roots are out of fashion. His father remarks he really ought to cut his hair (he looks like a hippie). Her enemy asks if she’s a natural redhead. Use compliments and nicknames.6. Show, don’t tell
If they are short, have them struggle to reach something most others could get. If tall, have them duck through doorways. If they are unattractive, make them self-conscious around people of the opposite sex. Your hero’s appearance is reflected in the way other characters react to it.Read the full article: Source
Source for Image
How to end your novel
The Dos and Don’ts By James V. Smith Jr.
Don’ts
- Don’t introduce any new characters or subplots. Any appearances within the last 50 pages should have been foreshadowed earlier, even if mysteriously.
- Don’t describe, muse, explain or philosophize. Keep description to a minimum, but maximize action and conflict. You have placed all your charges. Now, light the fuse and run.
- Don’t change voice, tone or attitude. An ending will feel tacked on if the voice of the narrator suddenly sounds alien to the voice that’s been consistent for the previous 80,000 words.
- Don’t resort to gimmicks. No quirky twists or trick endings. The final impression you want to create is a positive one. Don’t leave your reader feeling tricked or cheated.
Dos
- Do create that sense of Oh, wow! Your best novelties and biggest surprises should go here. Readers love it when some early, trivial detail plays a part in the finale.
- Do enmesh your reader deeply in the outcome. Get her so involved that she cannot put down your novel to go to bed, to work or even to the bathroom until she sees how it turns out.
- Do resolve the central conflict. You don’t have to provide a happily-ever-after ending, but do try to uplift. Readers want to be uplifted, and editors try to give readers what they want.
- Do afford redemption to your heroic character. No matter how many mistakes she has made along the way, allow the reader—and the character—to realize that, in the end, she has done the right thing.
- Do tie up loose ends of significance. Every question you planted in a reader’s mind should be addressed, even if the answer is to say that a character will address that issue later, after the book ends.
- Do mirror your final words to events in your opener. When you reach the ending, go back to ensure some element in each of your complications will point to the beginning. It’s the tie-back tactic. Merely create a feeling that the final words hearken to an earlier moment in the story.
By James V. Smith Jr.
Source for Dos and Don’ts. Visit Writers Digest for more.
Body Language Cheat Sheet for Writers
As described by Selnick’s article:
Author and doctor of clinical psychology Carolyn Kaufman has released a one-page body language cheat sheet of psychological “tells” (PDF link) fiction writers can use to dress their characters.
7 Writing Prompts to keep you creative every day for a week
1. It’s time for you and Writer’s Block to part ways. Write a letter breaking up with Writer’s Block, starting out with, “Dear Writer’s Block, it’s not you, it’s me … .”
2. You and your three closest friends decide to go camping. You arrive and set up camp nearly three miles away from where you left your car. Late that evening, as you sit around the campfire roasting marshmallows, one of your friends reveals a deep dark secret that turns what was to be a fun weekend into one of the scariest weekends of your life.
3. Two men stop you on your way into your local post office. One flashes a badge at you. They tell you about a top secret sting operation they are about to execute and they need your help. They can’t give you any of the details, only that you are to walk into the post office, go up to the counter with the gentleman named Bert working it, and you have to say to him, “My stamps are looking a bit square these days, if you know what I mean.” Write what happens next.
4. Pretend you are a recovering alcoholic who falls off the wagon while attending your high school reunion. Start your story with “I hadn’t had a drink in nearly 10 years” and end it with “If only I could remember where I left my pants.”
5. You’re cleaning out your garage and, hidden away in a back corner, you find an old shoebox. The box is heavier than it should be. When you open it up, you find cash—$40,000, to be exact. Where did the cash come from, who hid it there and why?
6. When you were little, you could swear there was a monster under your bed–but no one believed you. On the eve of your 30th birthday, you hear noises coming from under your bed once again. The monster is back and has an important message to deliver to you.
7. You’re late for work because you overslept, but your boss hates over-sleepers. He does love entertaining stories, so create the most outlandish excuse as to why you were late.
my songs know what you did in the dark: 12 Clichés To Avoid When Beginning Your Story
Here are some of the most common openings I see, as they’re almost always a rejection:
- Waking Up: Avoid the first moments of the day, especially if your character is being snapped out of a dream.
- School Showcase: A character introducing the requisite best friend and the school bully
- Family Showcase: Introductions of parents, siblings, pets
- Room Tour: A character sitting in her room, thinking, looking over her stuff
- Emo Kid: A character sitting and thinking about all his problems
- Normal No More: A character lamenting how normal, average, and/or lame her life is, which is the writer setting us up for the big change that’s about to happen
- Moving Van: A character in the car, driving to his new house, hating every minute of it
- Mirror Catalogue: Looking at oneself and describing one’s flaws, usually with a self-deprecating voice
- Summer of Torture: A character lamenting how she has to do something that she doesn’t want to do (live in a haunted house, go visit Grandma, work at the nursery) all summer long
- New Kid: A character worrying about being the new kid on his first day of school or wizard training or the vampire academy
- RIP Parents: One or both parental units kicking the bucket suddenly and tragically
- Dystopian Selection: In the dystopian genre, it’s the day of choosing jobs, getting selected for something awful, being paired with a soul mate, etc.
These are very common beginnings and all I ask is that, if you choose to forge ahead and brave one, make it fresh.
(Source: writersdigest.com)
1. anomaly – an irregularity; an abnormality
Example: If I get struck by lightening, I’ll be a statistical anomaly!2. ethereal – something lacking physical substance; light and intangible
Example: This ambient music is so gentle, so ethereal!3. loquacious – talkative
Example: For someone with such limited vocabulary, you’d think she’d be less loquacious!4. empathy – an understanding of and identification with the feelings or experience of another
Example: I empathize — I’ve been there!5. agnostic – the position that God’s existence cannot be proven or disproved; one who doesn’t confirm or deny God’s existence
Example: A: “Are you religious?” B. “No.” A: “You don’t believe in God?” B: “I didn’t say that.” A: “Oh, you’re agnostic!”6. protocol – a system by which a task is completed correctly
Example: Is there a protocol for parenting feral children?7. fascist – a person who believes a dictator should be in control of a nation’s economic and social policies
Example: A: “You shouldn’t be trusted to take care of yourself.” B: “You fascist!”8. sycophant – one who prostrates himself before and flatters another as a means to personal gain
Example: He thought I would go on a date with him if he told me how undeserving of my company he was — what a sycophant!9. facetious – a remark or attitude characterized by insincerity and humorousness
Example: When he said that nobody likes a liar, I facetiously remarked that the guy who sets liars’ pants on fire probably likes them.10. capricious – acting impulsively
Example: Here’s a hundred bucks, kid; go be capricious!11. salient – highly prominent; impossible to ignore
Example: All stuffed up, she sprayed saline solution into her salient schnoz.12. superfluous – excessive; an unnecessary amount
Example: I like icing on my cake, but this two-inch layer is a bit superfluous.13. ambiguous – vague; allowing for many interpretations
Example: I’m sorry for the misunderstanding; my explanation was ambiguous.14. spongiform – spongelike; porous and soft
Example: What spongiform skin you have!15. deficit – shortfall or insufficiency
Example: His stiff personality suffered from a humour deficit.
100 Beautiful and Ugly Words
by Mark Nichol
One of the many fascinating features of our language is how often words with pleasant associations are also quite pleasing on the tongue and even to the eye, and how many words, by contrast, acoustically and visually corroborate their disagreeable nature — look no further than the heading for this post.
Enrich the poetry of your prose by applying words that provide precise connotation while also evoking emotional responsesBeautiful Words
- Amorphous: indefinite, shapeless
- Beguile: deceive
- Caprice: impulse
- Cascade: steep waterfall
- Cashmere: fine, delicate wool
- Chrysalis: protective covering
- Cinnamon: an aromatic spice; its soft brown color
- Coalesce: unite, or fuse
- Crepuscular: dim, or twilit
- Crystalline: clear, or sparkling
- Desultory: half-hearted, meandering
- Diaphanous: gauzy
- Dulcet: sweet
- Ebullient: enthusiastic
- Effervescent: bubbly
- Elision: omission
- Enchanted: charmed
- Encompass: surround
- Enrapture: delighted
- Ephemeral: fleeting
- Epiphany: revelation
- Epitome: embodiment of the ideal
- Ethereal: celestial, unworldly, immaterial
- Etiquette: proper conduct
- Evanescent: fleeting
- Evocative: suggestive
- Exuberant: abundant, unrestrained, outsize
- Felicity: happiness, pleasantness
- Filament: thread, strand
- Halcyon: care-free
- Idyllic: contentedly pleasing
- Incorporeal: without form
- Incandescent: glowing, radiant, brilliant, zealous
- Ineffable: indescribable, unspeakable
- Inexorable: relentless
- Insouciance: nonchalance
- Iridescent: luster
- Languid: slow, listless
- Lassitude: fatigue
- Lilt: cheerful or buoyant song or movement
- Lithe: flexible, graceful
- Lullaby: soothing song
- Luminescence: dim chemical or organic light
- Mellifluous: smooth, sweet
- Mist: cloudy moisture, or similar literal or virtual obstacle
- Murmur: soothing sound
- Myriad: great number
- Nebulous: indistinct
- Opulent: ostentatious
- Penumbra: shade, shroud, fringe
- Plethora: abundance
- Quiescent: peaceful
- Quintessential: most purely representative or typical
- Radiant: glowing
- Redolent: aromatic, evocative
- Resonant: echoing, evocative
- Resplendent: shining
- Rhapsodic: intensely emotional
- Sapphire: rich, deep bluish purple
- Scintilla: trace
- Serendipitous: chance
- Serene: peaceful
- Somnolent: drowsy, sleep inducing
- Sonorous: loud, impressive, imposing
- Spherical: ball-like, globular
- Sublime: exalted, transcendent
- Succulent: juicy, tasty, rich
- Suffuse: flushed, full
- Susurration: whispering
- Symphony: harmonious assemblage
- Talisman: charm, magical device
- Tessellated: checkered in pattern
- Tranquility: peacefulness
- Vestige: trace
- Zenith: highest point
Ugly Words
- Cacophony: confused noise
- Cataclysm: flood, catastrophe, upheaval
- Chafe: irritate, abrade
- Coarse: common, crude, rough, harsh
- Cynical: distrustful, self-interested
- Decrepit: worn-out, run-down
- Disgust: aversion, distaste
- Grimace: expression of disgust or pain
- Grotesque: distorted, bizarre
- Harangue: rant
- Hirsute: hairy
- Hoarse: harsh, grating
- Leech: parasite,
- Maladroit: clumsy
- Mediocre: ordinary, of low quality
- Obstreperous: noisy, unruly
- Rancid: offensive, smelly
- Repugnant: distasteful
- Repulsive: disgusting
- Shriek: sharp, screeching sound
- Shrill: high-pitched sound
- Shun: avoid, ostracize
- Slaughter: butcher, carnage
- Unctuous: smug, ingratiating
- Visceral: crude, anatomically graphic
Notice how often attractive words present themselves to define other beautiful ones, and note also how many of them are interrelated, and what kind of sensations, impressions, and emotions they have in common. Also, try enunciating beautiful words as if they were ugly, or vice versa. Are their sounds suggestive of their quality, or does their meaning wholly determine their effect on us?
From Writers Write
Lovecraft’s 20 most common mistakes of young authors
Lovecraft enumerates the twenty most common mistakes of young authors, “aside from those gross violations of syntax which ordinary education corrects,” and offers a common cure for all:
- Erroneous plurals of nouns, as vallies or echos.
- Barbarous compound nouns, as viewpoint or upkeep.
- Want of correspondence in number between noun and verb where the two are widely separated or the construction involved.
- Ambiguous use of pronouns.
- Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.”
- Erroneous use of shall and will, and of other auxiliary verbs.
- Use of intransitive for transitive verbs, as “hewas graduated from college,” or vice versa, as “he ingratiated with the tyrant.”
- Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.”
- Errors in moods and tenses of verbs, as “If Iwas he, I should do otherwise,” or “He said the earth was round.”
- The split infinitive, as “to calmly glide.”
- The erroneous perfect infinitive, as “Last week I expected to have met you.”
- False verb-forms, as “I pled with him.”
- Use of like for as, as “I strive to write likePope wrote.”
- Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.”
- The superfluous conjunction, as “I wish for you to do this.”
- Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is ameticulous writer.”
- Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.”
- Use of false or unauthorized words, asburglarize or supremest.
- Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness.
- Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its.
Of all blunders, there is hardly one which might not be avoided through diligent study of simple textbooks on grammar and rhetoric, intelligent perusal of the best authors, and care and forethought in composition. Almost no excuse exists for their persistent occurrence, since the sources of correction are so numerous and so available.’
Surnames are just as important as given names. So, I compiled a list of the websites I use to find my surnames.
- English Surnames
- Dutch Surnames
- Spanish Surnames
- Scottish Surnames
- German Surnames
- Italian Surnames
- Irish Surnames
- French Surnames
- Scandinavian Surnames
- Welsh Surnames
- Jewish Surnames
- Surnames By Ethnicity
- Most Common Surnames in the USA
- Most Common Surnames in Great Britan
- Most Common Surnames in Asia
(Source: hearmeroarplay)